Blue Microphones Ringer (Ball Mic Shockmount)

!±8±Blue Microphones Ringer (Ball Mic Shockmount)

Brand : Blue Microphones
Rate :
Price :
Post Date : Oct 28, 2011 09:52:31
Usually ships in 1-2 business days

Spider shockmount for use with Blue's Bottle Rocket Stage 1, Bottle Rocket Stage 2, Kiwi, Baby Bottle, Bluebird, and Spark mics. Isolates mic from stand vibration and protects mic capsule from rumble, while built-in thumbscrew assembly allows easy positioning.

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Vintage Microphones

!±8± Vintage Microphones

Vintage microphones are used for the purpose of intensifying weak sounds, by transforming sound waves into the electrical pulses. The year 1878 marked the beginning of carbon microphones. Vintage microphones are developed in various models and with varied features. Berliner and Edison filed for patents on carbon microphone. In the year 1910, E.Wente developed condenser microphones at Bell labs. By the mid 1920's, developments in condenser microphones made it possible to record films. The omni directional dynamic microphone was developed by Wente and Thuras in the late 1920's. Omni directional dynamic mikes were invented in the late 1930's. From then on, there have been several advancements in microphones. The equipments that were heavy and bulky have become lightweight and handy now.

Vintage microphones are one of the collections of microphones that were used in the olden days. Vintage microphones may be listed in chronological order based on the models: carbon microphones which came into being in 1878; the 394 condenser microphone introduced by Western Electric; the 4AA condenser mic introduced by Radio Corporation of America (RCA); the 618A introduced by Western Electric; the 630A developed again by Western Electric; the cardiod microphones developed by Siemens; the tubular microphone designed by Bell labs; the 44A, B, and BX velocity ribbon microphones developed by Harry F. Olson at RCA; the 77A , B, C, D, and DX unidirectional ribbon series; the 639A and 639B introduced by Western Electric. These systems are the various vintage microphones.

These vintage microphones are in high demand and therefore are very costly. People who could not afford it went in for the microphones bearing assorted brand names that surfaced in the American market. They were RCA type 77 models but with different crystal elements. Prices for these microphones are usually ranged around to .

Microphone parts and accessories are also available for collection purposes. Some companies specialize in reproduction of these rare accessories. Like other areas there are spurious manufactures in the field of vintage microphones too. One must be choosy while buying vintage microphones from markets.

Vintage Microphones

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How To Choose the Right Studio Microphone For Your Recordings

!±8± How To Choose the Right Studio Microphone For Your Recordings

Choosing a microphone shouldn't be too hard, assuming that you know the differences between microphones and what you will be using yours for. Granted, recording your vocals should not warrant the same type of studio microphone as recording instruments. It's important to know what you will be using it for, and then going on from there.

A general rule is that dynamic microphones such as the Shure SM58S are exceptional for instruments and life performances. As a matter of fact, if you pay close attention to what most live performers use, you can almost bet, that it will be a Shure SM58S. On the other hand, condenser studio microphones are used for vocals or other soft recordings where details are extremely important. As you can see, having both type of microphones would be beneficial, but that boils down to your budget.

The condenser has a flatter frequency then the dynamic, which for recording vocals is a must. What ends up happening when you record on a condenser studio microphone such as the AKG PERCEPTION 220, you get a more clearer and accurate recording. The dynamic on the other hand, tunes out some of the details because once again, they are meant to be used for instrument recording and live performances.

The condenser studio microphone also requires a preamp or a mixer, which will provide phantom power of around 48 volts. Because the condenser requires the electric juice to run, the preamp serves as a booster. The dynamic doesn't require any phantom power, seeing as how it's a more rugged and less sensitive counterpart to its brother microphone, the condenser.

There is also another important thing to consider when choosing the perfect studio microphone for you - the pick up pattern. Essentially there are three different kind of "pick up patterns;" the omni directional microphones, the bidirectional microphones, and the unidirectional microphones.

The omni directional microphones pick up sounds evenly, so if you have a home recording studio, STAY away from such microphones. Why? It will pick up your TV, your neighbours TV, and your dog barking at the cat.

Bidirectional microphones on the other hand pick up sounds from only two directions, the front and the back. They are often used in radio interviews, which allow people to share a microphone.
Unidirectional microphones are the optimal for home recording studios. These microphones pick up sounds from one direction, and allow you to isolate sounds that you don't want to record quite easily. They also include the cardioid microphone such as the Blue Microphones Baby Bottle Cardioid Condenser Mic.

In conclusion, it all depends on what you will be using your microphone for. If you plan on recording instruments or performing live, then a microphone such as the Shure SM58S Vocal Microphone is your best bet. On the other hand, if you are going to be recording vocals and care about the detail and clarity of them, then you have to purchase a condenser studio microphone.

How To Choose the Right Studio Microphone For Your Recordings

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!±8± 「夏せつない」感じのR&Bバラードをアコギで弾いてみた。

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Blue Microphones Bottle Rocket Stage 1 Solid State Microphone with B8 Capsule

!±8± Blue Microphones Bottle Rocket Stage 1 Solid State Microphone with B8 Capsule

Brand : Blue Microphones | Rate : | Price : $799.00
Post Date : Oct 17, 2011 15:34:14 | Usually ships in 24 hours

Blue Microphones Bottle Rocket Stage 1 Solid State Microphone with B8 Capsule

The Blue Bottle Rocket Stage One is a condenser microphone that uses interchangeable capsules, including the 9 vintage lollipop-style Blue Bottle Caps. The Class-A discrete solid state Blue microphone has a bayonet-mounting system for unlimited flexibility, and a wide variety of tonal characteristics and pickup patterns—all in one mic. Precision-designed and hand-assembled, the Bottle Rocket Stage One mic is crafted for a lifetime of use. Compared to similar microphones.

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Blue Microphones Baby Bottle Cardioid Condenser Mic

!±8±Blue Microphones Baby Bottle Cardioid Condenser Mic

Brand : Blue Microphones
Rate :
Price : $399.00
Post Date : Oct 15, 2011 03:36:13
Usually ships in 1-2 business days

Blue Microphones' transformerless Baby Bottle cardioid condenser microphone delivers a rich, accurate midrange response that makes it ideal for recording vocals, drums, and electric guitars, along with more difficult sources like saxophones and horns. It utilizes Blue's famous hand-tuned and tested large-diaphragm capsule and a Class-A discrete circuit to achieve superior detail and clarity. And its unique, vintage-inspired appearance adds a little something extra to your studio presence. The complete Baby Bottle package includes a pop filter, custom spider shockmount, and wooden storage case.

Baby Bottle Cardioid Condenser Mic At a Glance: Detailed midrange recordings with a soft top-end to tame harsh sound sources Ideal for male and female vocals, drums, acoustic and electric guitars, acoustic bass, saxophones, flutes, and stringed instruments Hand-tuned and tested large-diaphragm capsule Transformerless output design Cardioid polar pattern Includes shockmount, pop filter, and case Three-year limited warranty

Features a seamless blend of style and sound quality. View larger.

Includes shockmount, pop filter, and case.

Vintage Design, Professional Results
Reminiscent of some of the world's finest vintage microphones, the Baby Bottle microphone can cut through the busiest tracks, while maintaining the high-quality, no-compromise audio that you expect from Blue Microphones. The Baby Bottle was designed shortly after Blue's famous Bottle microphone, and--like its predecessor--features a seamless blend of style and sound quality. This starts with a lollipop spherical grille housing Blue's renowned hand-tuned and tested large diaphragm capsule, and extends to include a transformerless output design that delivers accurate sound-source reproduction.

A Distinctive Sonic Signature
Each professional-grade Blue microphone utilizes a unique, proprietary capsule design to capture a specific sonic signature, and the Baby Bottle is no exception--it offers a full midrange response, along with a smooth top-end and neutral bottom-end, which creates an extremely rich, classic yet contemporary sound. This makes the Baby Bottle an ideal choice when you're recording vocals or room mixing for drums or electric guitar amps. It can even handle difficult sources like strings, flutes, saxophones, and brass instruments. In addition, with a unique proprietary circuit polarizing the capsule film at 100 volts, the Baby Bottle yields a large output that makes it the quietest microphone in its class.

Cardioid Polar Pattern and Discrete Electronic Components
Featuring a cardioid polar pattern, the Baby Bottle is built to capture rich, full-bodied sound from sources that are directly in front of the mic. The capsule and cardioid pattern combine with high-quality electronic components, including a Class-A discrete amplifier circuit, to ensure that each Baby Bottle mic offers consistent, reliable performance. The electronic components in Blue Microphones have been carefully selected, based on 20 years of engineering and experimentation, in order to increase microphone speed, decrease distortion, reduce product variance, and ensure long-term dependability.

Includes Shock Mount, Storage Case
In addition to the mic itself, the Baby Bottle setup includes a custom spider shock mount for controlled use and a pop filter for laying down clean vocals. It also comes with a wooden storage case that matches the mics retro good looks.

The Baby Bottle is backed by a three-year limited warranty.

What's in the Box
Baby Bottle cardioid condenser microphone, shock mount, pop filter, and wooden case.

The Baby Bottle can handle difficult sources like strings, flutes, saxophones, and brass instruments.

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